FLASHFORWARD
Soirée
KENNY LARKIN (US)
GLOBUL (BE)
FABRICE LIG (BE)
THE BABEL ORCHESTRA (BE)
SPIRIT CATCHER (BE)
VJ
DIRTY MONITOR (BE)
Techno / Detroit
Kenny Larkin est l’un des producteurs essentiels de la scène techno de Détroit.
Depuis 1990, il a écrit l’histoire de cette musique autour des autres prodiges de la Motor City comme Carl Craig, Derrick May et Kevin Saunderson.
Sa discographie est impressionnante ; des albums devenus classiques sur des labels comme WARP, R&S, et le dernier sur Planet E. Sans compter sa réputation de remixeur comme en témoigne l’un des dernier remixes pour “La Fleur” sur le label Watergate. Et en ce qui concerne ses talents de dj, la profession est unanime, il est grandiose. Des sons funky, puissants, tantôt house, tantôt techno. Un nom très demandé au Rockerill…Le voici.
https://soundcloud.com/kennylarkin
To most electronic music aficionados, Detroit native Kenny Larkin is a man who needs no introduction. His impressive 20-year history of creating arguably some of the most timeless, soulful techno ever created, is unquestionable. But, to the newer generation of club-goers, who aren’t aware of his contributions, 2012 serves as the year to re-establish his position as one of the most valuable forces in dance music today.
On his popularity, Larkin states:
“I’m more like the artist’s artist. I’ve had very successful electronic artists tell me constantly how much I’ve influenced..
To most electronic music aficionados, Detroit native Kenny Larkin is a man who needs no introduction. His impressive 20-year history of creating arguably some of the most timeless, soulful techno ever created, is unquestionable. But, to the newer generation of club-goers, who aren’t aware of his contributions, 2012 serves as the year to re-establish his position as one of the most valuable forces in dance music today.
On his popularity, Larkin states:
“I’m more like the artist’s artist. I’ve had very successful electronic artists tell me constantly how much I’ve influenced them, but, to the newer generations of club-goers, my name might not be as well known. I like to say, I’m famous for not being famous!” -KL
Since the beginning of his career, Larkin’s profile was never considered massive, nor did he ever serve as the “face of techno.” Yet, the respect and admiration he garners from his fans, electronic musicians, and journalists globally leave little doubt as to his relevance, and influence in a genre that sometimes can be described as lacking in feeling, warmth and musicality.
It is that musicality that allowed him to give us an unforgettable collection of original material and remixes, such as the amazingly groovy Inner City “Share My Life.” Many consider this rework one of the best Inner City remixes ever done. Or the equally stunning remix done for Ben Klock’s “OK,” which was voted by website LITTLE WHITE EARBUDS as the 20th top track of 2009.
The reviewer comments:
... Larkin defrosts Klockʼs “OK” with swelling warmth and a bass line that wound itself all the way to the horizon. High wire strings gave the remix a sense of drama, while faultless percussive turns saw halting snares, clipped shakers and languid hi-hats entwine themselves through the fabric of the track. Coaxing an animalistic cry from his hardware, Larkin had already succeeded in creating a stunning take on “OK” by the three minute mark, but then topped it all off with a gorgeous piano solo that continued for the remainder of the track, adding a graceful fragility to the feverish pace set by the other elements. Not just one of Larkinʼs finest moments but one of 2009ʼs as well. Stunning! -LWE
But by far, one of the most memorable recent remixes, was Larkin’s version of Radioslave’s “Don’t Need A Cure For This.” Released in late 2010, Larkin effortlessly displays his penchant for melody, and his signature jazzy keyboard riffs. The keyboard line, alongside the driving rhythm, resulted in the remix becoming one of the most charted remixes of 2010-11 on popular electronic music websites Resident Advisor, and Beatport.
Never to rest on his laurels, in Dec. 2011, Larkin delivered one of the first biggest remixes of 2012. Less jazzy, but no less impressive than his Radioslave remix, Larkin’s expertly crafted version of Inner City’s, “Future,” which he coincidentally co-produced, and co-wrote, quickly climbed to the number one spot on Beatport’s Top 100 Techno Chart, and reached number 16 on their Top 100 overall chart, which combines all genres. Top dj’s from around the globe are currently supportive this massive floor filler. This was one of only a few Detroit titles to ever reach number one on the techno chart, since the creation of Beatport.
“Quality, not quantity...” -KL
The building blocks of his signature sound are rooted in his early exposure to jazz, funk, and soul, in addition to other more electronic influences. These styles all serve as the backbone of his unique style. This was a key component in the formation of the second wave of Detroit Techno, alongside artists such as Carl Craig. Larkin’s small, but impressive catalog of work of over the years, all displays his ability to chisel out of the often cold hard machines, his own sound that is all heart and soul. Quite simply, this is electronic soul music.
After listening to his debut album, released on Warp Records, Azimuth (released 1994), the press commented:
“”Azimuth is one of the most imaginative and original techno albums yet.” MUSIC WEEK
“A masterpiece. This LP of intelligent Detroit techno is an upcoming classic.” STREETSOUNDS
His second album, entitled Metaphor, released in 1995 on R&S, was no less impressive:
“This is electronic soul music, full of human feeling and warmth" MixMag
“Delightful, pure Detroit-style techno. Melodic, emotive and, like so much great U.S. techno,
almost jazz-like in places. Larkin is a man with his finger on the fast forward button of music’s
future.” SELECT
Street Sound magazine later voted Azimuth as one of the top 50 Techno CD’s of all
time.
His second album, entitled Metaphor, released in 1995 on R&S, was no less impressive:
"A juxtaposition of polished classic Detroit and quirky jazz-inspired innovation. At times very
minimal and ambient, other times well informed by house, Kenny's warm dance beats hit in just
the right places at just the right time.” I-D
-Metaphor was Nominated for “Best Electronic Album of the Year by Keyboard
Magazine.
-In 1995, Larkin was voted “Best Techno Artist of the Year by local Detroit newspaper,
Metro Times.
Larkin returned from a break, and re-established himself with his, “Keys, Strings,Tambourines.” The album was released on the legendary Planet e, and was voted by Pop Matters magazine as the ninth best electronic albums of 2008.
For their selection of top 20 albums of 2008, well respected website, Resident Advisor, listed Larkin’s album at 18.
"Throughout Keys, Strings, Tambourines, Larkin peppers his elegant tech house rhythms with jazzy keyboard fills, strings, tambourines and oddball synth blurts, making for an especially tuneful listen that doesn't skimp on the ass-shaking. Fans of Larkin's classic works will not be disappointed here, nor will those discovering his music for the first time." –Resident Advisor
Kenny has an undeniable passion for making music. In addition to his busy global dj schedule, Larkin is currently working on no less than 7 remixes, for a number of noteworthy artists craving the Larkin touch. In addition, he is putting the final touches on his first original release since his KST release on Planet e. Due out in the spring on Cadenza Records..
Larkin’s sound continues to stand the test of time. His unique, musical approach to dance music transcends expectations in balance with meeting his own ambitions and meanwhile pleasing “Detroit-Days” devoted followers all the world over. As his popularity grows, he will no doubt convert new fans to believers and show them that music...REAL music, and Techno can in fact coexist in the same fuzzy place in the heart.
Famous for not being famous?
Not for long.
Electro / Industrial
Organisateur depuis fin des années 90 et dj depuis plus de 20 ans, voilà les deux grandes passions de Globul. Son parcours s'initia fin des années septante en découvrant des artistes tels Pierre Henry, ou Marvin Gaye, mais surtout cet énigmatique groupe appelé "Kraftwerk". le ton etait donné ! S'en suivira un engouement pour toute la génération new wave, punk & industrielle, à travers d'artistes comme The Clash, Tuxedemoon, Grauzone, Front 242, Nitzerebb ou Neon Judgment, Globul commença à animer de nombreuses soirées et s'occupa de plusieurs émissions de radios locales. Fin des années 80, il se rendit en Espagne ou il fut résident dans différents clubs à San Sébastian et Santander. Ses sets sont connus pour être variés et fortement chargés en sonorités disco, acid, Tech, Detroit, un mélange éclectique entre les sons Old School & New school : la deep-tech & les rythmes tribaux, Son plaisir, c' être en osmose totale avec le public grâce à une programmation originale et non linéraire.
House / Detroit / Techno
Electro / House / Techno
Le duo belge, carolo-namurois, Cédric Gilbert et Jim Adam (Lullabies in the Dark, Permanent Vacation) se sont rencontrés sur le dancefloor, partageant leurs passions pour la musique électronique. En 2010, inspirés par le mythe de la tour de Babel, ils ont fondé The Babel Orchestra pour diffuser leur vision de la confusion des langues musicales, pour sortir des frontières des genres. DJs depuis plus de vingt ans, connus pour leur enthousiasme et leurs sets animés, ils se sont récemment illustrés par plusieurs mixes et remixes qui ont eu plus d'un échos et reçu un bel accueil sur les blogs. Aujourd'hui, ils seront là pour vous faire bouger, vous donner de l'émotion, vous faire perdre vos repères...
It’s funny but people tend to be a bit down on Belgium, full of boring bureaucrats but here’s one good reason to get excited about Belgium, Spirit Catcher. Jean Vanesse & Thomas Sohet have become one of Europe’s most exciting production partnerships & live acts since they began 9 years ago. In that time they’ve clocked up the impressive list of labels that they’ve worked for (2020 Vision, Systematic, Freerange, SAW, Crosstown Rebels, K7, NRK, Rebirth, om…).
Their excellent debut artist album "Night Vision" released on 2020 Vision is testament to this status, becoming album of the issue in many leading dance magazine around the world. Both have a diversity of experience to bring to the table and a wide variety of influences. Both cite Kings of Jazz, Herbie Hancock & Quincy Jones through to classic 80s boogie sounds of Zapp, Prince & Chic/Nile Rogers and on to the sounds of Detroit techno pioneers such as Juan Atkins & Derrick May as major forces in their own productions.
Following stints on their successful first album they release their second opus "Partners in Crime" on Marc Romboy's Systematic Recordings in 2011. This time they incorporate a wider variety of styles and more dancefloor punch to the brew. "Partners in Crime" quickly becomes an highly recommended album by leading magazine such as Mixmag iDj, DJ Mag, Future Music, Keyboards, Raveline, Clash…
As well as a prolific output, they have also built up their reputation as a highly regarded Live Act. To date Spirit Catcher have undertaken over 300 live performances in more than 50 countries, spanning 5 continents, taking in some of the world’s best venues: Space in Ibiza, Berghain in Berlin, Fabric and Ministry of Sound in London, Womb, Ageha, AIR in Tokyo, 360 in Dubai, Avalon in Los Angeles, Sankey’s in Manchester, Fuse in Brussels, Back2Basics in Leeds, Subclub in Glasgow, D-Edge in Sao-Paulo, Goa in Madrid, Zouk in Singapore, Stereo in Montreal, Smart Bar in Chicago, Cielo in New-York, Wire Festival in Yokohama, DEMF in Detroit, We love sounds festival in Australia to name but a few…
VJ
Au fil des années, le collectif s'est fait un nom grâce à ses collaborations avec de grands noms du secteur événementiel, mais aussi le travail acharné et la passion de son équipe, qui s'est complétée avec des graphistes, photographes, matte painting et concepteurs. Performances lives, installations, soirées...
Peu importe l'atmosphère désirée, les structures ou les surfaces, Dirty Monitor offre au public une expérience visuelle unique.
