LES APÉROS INDUSTRIELS

DEG
Techno
  Christophe De Groote   Born in 1972 in Brussels (Belgium), "DJ Deg" was influenced at an early age by the music played by his parents. His mother was teaching modern jazz dancing while his father was a computer science teacher. Deg discovered electronic sound synthesis along with the rise of the first personal computers such as the Commodore 64, ZX Spectrum and others. During that time he was without a doubt the biggest fan of artists like Martin Galway and Rob Hubbard.   Deg really began to deejay at the beginning of the late 80's "AB Sound" and "Acid House" explosion. He was offered to play his first gigs at some school parties after which he and his friends organised Brussels' first underground parties.  He was a true pionneer and one of the first DJ's playing the then new genre: Techno. From here, everything started! In 1990 he already had built himself a solid reputation and was given residencies in pionneering belgian techno clubs like Mauna Kea, Network and Borsalino. Deg also played in the newest clubs such as Boccaccio, Globe, Barocci, La Rocca, etc. As one of the co-founders of "BWP Experiments" together with D-Jack, Mike DMA and Sebastian S, he was an active member of the collective whose goal was to promote "techno" and educate the new generation of clubbers and ravers in order to acquire a bigger audience. Many Belgian well-known artists and DJ's were influenced by them.  In 1992, Deg became main resident for pioneering organisation "The Rave Explosion" which arranged the first appearances in Belgium of new artists such as Jeff Mills, Laurent Garnier, Carl Craig, Richie Hawtin, Leo Anibaldi, Dan Curtin, Vapourspace, Dave Clarke, DJ Hell, Blake Baxter, Daniel Bell, The Advent, Tom Middleton, Luke Slater, Underground Resistance and many others... Many times he played at the legendary PK Studio parties with the Brussels underground during the revival of Acid music and Industrial UK sounds like Rephlex, Warp, Evolution, etc... Later on he became resident at Brussels' Network club. Deg is also known for his international career (he played the first editions of "Mayday") and played all over Europe as well and overseas.   In 1997, he joined the resident DJ team at Brussels Fuse club for the absolute delight of the crowd. As a producer, he released several records and remixes on labels around the globe. He's behind many club anthems which were acclaimed worldwide. They're still classics today ! He also compiled the 2 eclectic "techno" compilations for "The Rave Explosion". DJ Deg still plays the Fuse club in Brussels every Saturday ! You can also catch him at his studio or in the middle of his amazingly complete and dense record collection. His career as a DJ and musician now spans more than 20 years. He is still unanimously reverred and respected. Most insiders consider him as the best belgian electronic music DJ .

GEROME SPORTELLI
2-step / House / Techno
Gerome Sportelli is an electronics music producer active since the beginning of the 90's. (Techno House minimal Deep House Acid)   During the beginning of his career, his techno productions were signed under the name of various alter egos: Intex System (Reload Records) , Nepz or The Sense (a project he managed with Sammy Goossens). Under the The Sense alias, Gerome and Sammy released on very prestigious labels such as Teknotika (Detroit), Bipolar records (Detroit) or even Dark Print, James Pennington’s (aka Suburban Knight) label (also known from Underground Resistance). The sense techno was charted by lot of big names like Umek on his Time Warp Compilation Vol. 4 in 2003. After that Gerome worked on Suburban Knight Live act and album called "Digital Warriors" to perform with James and Sammy across Europe.   In 2004 after working with Sierra Sam on their label “Serie Records”, Gerome launched his own label, KRAX Records, and developed the mythic Chicago house sound which he loves to mix with electro and techno influences. It gives a certain freshness to Krax without denying the old school grove from the legendary TB-303. Acid Krax Vol. 2 became a huge success, especially with his own track “Growth”, charted by The Hacker, Miss Kittin, James Zabiela and Plastique de Rêve, just to name a few.   The times flies and Gerome got involved into more minimal and techno sounds. A good example of this evolution would be his EP, “Exchange 303 to 808”, released on Toys For Boys Records. This track has been played and charted by Paco Osuna, Bloody Mary, Tim Xavier...   In 2012, Gerome is still releasing new tracks on actual labels such as Rekode Musik, Fassade Records... Always open-minded and curious about new sounds and technologies.

RALPH STORM

Pionnier de l'electronic body music, Front 242 est sans aucun doute la référence électro de notre royaume. Issu du mouvement industriel assimilé au mouvement new wave des années 80, le groupe a livré une dizaine d'albums au long de sa carrière dont le fameux "Front by Front" en 88. Leur influence est aujourd'hui considérable et le front a été cité par Marilyn Manson, nine inch nails, prodigy et new order pour ne citer qu'eux…

Né en 1974 Ralph a commencé à s'intéresser à la musique dès l'âge de 13 ans avec les sons de prince et de la funk de Motown.

Après un passage par la new wave de Nitzerebb, Front 242, Fad Gadget... il découvrit en 1987 les sons de la New beat et de l'Acid House de cette époque.

Des groupes tels que Phuture (acid Tracks), Kaay Alexi Shelby, Jack Frost l'ont fortement influencé. En 1992 il commença sérieusement le djing dans un style plus orienté vers la dark techno de détroit et l'acid de Brooklyn. C'est à travers ses bookings dans toute la Belgique qu’il pu peaufiner son art.

Il est également co-organisateur des soirées (Always Underground,Sound Memory) et co fondateur et producteur sous le label Atlante.

GLOBUL
Electro / Industrial

Organisateur depuis fin des années 90 et dj depuis plus de 20 ans, voilà les deux grandes passions de Globul. Son parcours s'initia fin des années septante en découvrant des artistes tels Pierre Henry, ou Marvin Gaye, mais surtout cet énigmatique groupe appelé "Kraftwerk". le ton etait donné ! S'en suivira un engouement pour toute la génération new wave, punk & industrielle, à travers d'artistes comme The Clash, Tuxedemoon, Grauzone, Front 242, Nitzerebb ou Neon Judgment, Globul commença à animer de nombreuses soirées et s'occupa de plusieurs émissions de radios locales. Fin des années 80, il se rendit en Espagne ou il fut résident dans différents clubs à San Sébastian et Santander. Ses sets sont connus pour être variés et fortement chargés en sonorités disco, acid, Tech, Detroit, un mélange éclectique entre les sons Old School & New school :  la deep-tech & les rythmes tribaux, Son plaisir, c' être en osmose totale avec le public grâce à une programmation originale et non linéraire.